罗比·威廉姆斯的故事将拍成一部有幻想性质的传记片《Better Man》，片名取自他的同名大热歌曲。影片由《马戏之王》导演迈克尔·格雷西执导，聚焦威廉姆斯青少年时期的成长故事，16岁就以Take That乐队成名的少年，如何成为现在的他，以及在他台前幕后的挣扎等，今年夏天开拍。

　　埃拉迪奥是一名狩猎庄园管理员，他接受了一名资深猎人的贿赂。但几周后，他的整个生活却变得分崩离析。这个对来他说看似千载难逢的机会最终变成了一场可怕的地狱之旅，埃拉迪奥将在那里测试他的极限。这是一个因欲望而向恶魔失去一切的人令人不安的旅程。

一名骗子和被他捡来的孩子专以窃取富人钱财卫生，但一个改变人生的机会有可能让相依为命的两人就此分离

　　Within the walls of the Grave, the orphanage where Nica grew up, a legend has always been told: that of the maker of tears, a mysterious craftsman, guilty of crafting all the fears and anxieties that inhabit the hearts of men. But at seventeen years old, the time has come for Nica to leave fairy tales behind. Her biggest dream is about to come true. Mr and Mrs Milligan have started the adoption process and are ready to give her the family she has always wanted. In her new home, however, Nica is not alone. Along with her, Rigel, a restless and mysterious orphan, the last person in the world Nica would want as an adoptive brother, is also taken from the Grave. Rigel is intelligent, smart, plays the piano like an enchanting demon and has a beauty that can enchant, but his angelic appearance conceals a dark nature. Even though Nica and Rigel are united by a common past of pain and hardship, living together seems impossible, but kindness and anger are two different ways of fighting pain to stay alive and to conceal the emotions that devastate their hearts, becoming for each other that tears-maker of legend. To the maker of tears you cannot lie: and they will have to find the courage to accept that desperate force that attract them towards each other called love.

这些台词以影片标题“O Somma Luce”开头，也是但丁《神曲》《天堂》第33章第67行至《天堂》结尾。这部电影是用音乐和台词来完成的，而不是情感和旁白。这是最近一次将电影与文学结合起来的尝试。影片以黑屏和埃德加·瓦雷泽的音乐开始。 BGM是1954年录制的《沙漠》，一段黑暗之后，音乐结束，一个中年男子坐在山上，背诵着什么。他是意大利文学教授乔治·帕塞罗内（Giorgio Passerone），他正在朗读但丁《神曲》《天堂》的最后一部分。让-马里·斯特劳布通过微妙的口音和方言表达了他对但丁的看法。这位编码过包括巴赫在内的众多伟大艺术家和音乐家的导演，完成了但丁和瓦雷泽的结合，这似乎有些奇怪。 （林景勇）但丁神曲《天堂》的最后一首歌。这部电影之前是高乃依布莱希特或罗马，这是我唯一怨恨的对象，摘自高乃依的《贺拉斯与奥通》，以及布莱希特广播剧《卢库鲁斯》中的达斯维霍尔。