When a couple facing divorce take their kids to help them renovate a historic hotel, their marriage is given a new lease on love when their kids discover letters left decades earlier by a young couple who never met. Saving their parents marriage in time for Christmas and before a greedy land developer buys the hotel out from under the family, is the teenager sibling's mission.

　　Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly, self-enlightenment. Prepared only with three white candles and some crude instruments, Daniel attempts to beckon the embrace of the Goddess Ishtar (Flora Giannattasio) to assist him on his self-illumination. Beginning with a blade, Daniel digs into the palm of his hand, as deep crimson flows into the bathtub. Lapping up the blood from his fresh gash he sexually caresses the wound with his tongue (ala cunnilingus), thus commencing his voyage.

八岁的朱利叶斯住在孤儿院，朱利叶斯是一个局外人，并秘密仍然相信圣诞老人。当他面对圣诞老人可能只是打扮成孤儿院的校长这一事实时，朱利叶斯不仅失去了对圣诞老人的信任，也失去了对自己的信任。但后来奇怪的事情发生了，突然朱利叶斯发现自己置身于一个神奇的世界。

在波特家的地板缝里，居住着波德一家人，波德一族天生拥有着迷你的身材，靠着寄宿在人类家中，向人类借生活必备品维生。这一天，皮特（布莱德利·皮尔斯 Bradley Pierce 饰）向往常一样告别了父母前往学校，而他的父母也双双出门了，整个大房子成为了波德一家人的天下。

　　已故泰米尔纳德邦首席部长J.Jayalalithaa的传记片。