加里是个情绪化的人，自从他的妻子去世后，他一直在努力养活自己的女儿。玛丽有一个秘密，她不愿意与任何人分享。宇宙让这两个人走到一起是有原因的，他们只需要继续跟踪这些迹象。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　本片基于艾米·利普罗特所著回忆录，她和芬沙伊德改编剧本，讲述刚从康复中心出来的罗娜在离开十多年后，回到了苏格兰的奥克尼群岛，回到童年时的牧羊场，再度体会到了自然之美和静谧的珍贵。

　　该剧改编自作家罗伯特·麦卡蒙的小说《毒刺》，故事围绕乔治亚州农村的一群人展开，他们必须放下分歧才能在神秘的威胁中生存下来。

30年前，蒂蒂和迪尔万出现在一个小镇，接管了一座破旧的宅邸，并将其改造成一个古色古香、田园诗般的家，供无家可归者和无处可去的人使用。它在小社区和附近城镇中引起了轰动，尤其是迪尔万从未要求任何付款，并且他采取了巨大的努力和措施为居民提供最好的护理和设施。殊不知，收容所只是另一桩荒唐而又黑暗险恶的生意的幌子。 Titi 和 Dirwan 近 20 年来一直在这项业务中获利。其迷人的外观和热情的款待吸引了毫无戒心的受害者。这个地方非常完美，因为它位于城镇边缘，远离任何人，而且互联网和移动电话服务不可靠。