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  • A revenge tale about a former college student who forges essays for cash, the client who becomes her lover, and their professor.
  • 戴维(德鲁·傅勒 Drew Fuller 饰)就职于一家快递公司之中,个性老实的他暗恋着同事詹妮(唐佳·温泽尔 Tanja Wenzel 饰),詹妮亦对戴维情有独钟,可是,由于戴维的羞涩,两人之间的窗户纸始终未能捅破。一次偶然中,戴维目睹了一场车祸,一个名为劳拉(Alison King 饰)的女子上了戴维的车,她告诉戴维自己是一名警察,正遭到黑帮的追杀。然而事实真是如此吗?   在莫名其妙之间,戴维成为了警方追捕的对象。原来,劳拉并非警察,而是一名杀手,很显然,警方将戴维当成了她的同伙。就这样,不断被劳拉嫁祸的戴维不得不开始了大逃亡,詹妮自愿跟随他,为他提供了很多帮助。不幸的是,一次意外中,詹妮被劳拉绑架了,劳拉希望戴维能够帮他杀一个警方的重要证人,以此来换取詹妮的命,在正义与爱情之前,戴维会如何选择呢?
  • 康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。  Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。  The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.  Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
  • 故事发生在捷克,诺娜(迪娜·霍瓦索瓦 Deana Horváthová 饰)是一个平凡的女人,一次偶然中,诺娜解释了名为艾斯特(达格玛·维斯科莫娃 Dagmar Veskrnová 饰)的护士,艾斯特告诉诺娜,她曾经的恋人是一名党员,在革命失败之后,心灰意冷的他选择了自杀。  诺娜怀孕了,可是,当她把这一喜讯告诉男友时,男友却选择了逃避和退缩,此时是艾斯特向诺娜伸出了援手,收留了无处可去的她。两个女人想要生存下去第一件事情就是要想方设法的赚钱,她们想了很多损招,最后还是靠卖掉了艾斯特已故的恋人的画作而赚了一大笔钱。就这样,两朵末路狂花走上了不归路。