¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.

U.S. Border Patrol Agent, Angel Waters, makes a routine apprehension that will haunt him forever.

Miranda（米兰达·哈特 Miranda Hart 饰）是一个身高一米八三、身形魁梧、胃口极佳、常常被人误叫做“sir”的名副其实的女汉子。她开了一家半吊子的玩笑商店，请了自己最好的朋友Stevie（萨拉·哈德兰 Sarah Hadland 饰）做店老板。Miranda妈妈最大的愿望就是把芳龄35的女儿嫁出去，积极为她安排各种各样的相亲。事实上，Miranda早就有意中人，他就是帅气高大又带点憨直的厨师Gary（汤姆·艾利斯 Tom Ellis 饰）。

　　The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.

Nadia Tereszkiewicz and Benoît Magimel will topline Di Giusto’s La Rosalie. Production will begin in the fall in the region of Brittany for what we believe is a set in the 19th century and inspired by Clémentine Delait – known as France’s bearded lady. Sandrine Le Coustumer co-wrote the project which is being produced by Trésor Films.